THE PHANTOM DB ARCHIVE

The clock on the wall, a ticking heart of dread Each second a hammer blow inside my head Your suitcase by the door, a silent, cold decree And every breath I take, it steals a piece of me I trace the lines upon your sleeping face Searching for a sign, a hint of saving grace But all I find is distance, a chasm growing wide This hollow ache, nowhere left to hide Oh, I'm waiting, baby, just waiting for you to go This agonizing suspense, a torment I know My mind's a battlefield, a war I can't command As I waited for you to go, I'm losing who I am The coffee's gone cold, the morning light is grey Familiar rooms now echo with what you'll take away Your perfume in the air, a ghost I can't erase Leaving me adrift in this empty, lonely space I replay our words, the arguments we had Trying to find the moment where it all went bad But hindsight's a cruel trick, a mirror I can't face Lost in this unbearable, agonizing pace Oh, I'm waiting, baby, just waiting for you to go This agonizing suspense, a torment I know My mind's a battlefield, a war I can't command As I waited for you to go, I'm losing who I am Is this the end? The final, spoken word? A silence that's louder than any I have heard My nerves are frayed, my spirit's worn so thin Just let the chapter close, let this begin… or end Oh, I'm waiting, baby, just waiting for you to go! This agonizing suspense, a torment I know! My mind's a battlefield, a war I can't command! As I waited for you to go, I'm losing who I am! Waiting… for you to go… Who I am…

Unreleased because Suno Prompt's lyrics seemed to be a bit lesbian

Session-musician backed track arranged by Mike’s relative. Cleaned-up elocution on Eddie’s vocals.

A reggae rhythm with a prominent bassline, featuring a laid-back tempo and soulful vocal melodies, reminiscent of classic 80s reggae, The instrumentation includes clean electric guitar licks, a prominent organ, and a tight drum beat

Eagles style track

The idea was to make something like an emo Tears for Fears track

Style: straightforward, up-tempo soul jazz-funk arrangement defined by punchy horns, tight rhythm sections, flute, and classic mid-70s groove production. 118 BPM a 1970s up-tempo jazz-funk soul track about living in the ghetto and observations about people trapped in alcoholism

Caver's Waltz Minimalist and repetitive. anchored around an E-major chord with a repeating 2-note melody. A delicate keyboard and piano lines floating over continuous synthetic soundscapes, creating an airy but claustrophobic feel. A caravan-like drum beat and subtle percussion give it the cadence of a slow, mournful waltz. Fear and Doubt Pitting a stark, repetitive piano motif against an eerie, synthetic soundscape to embody feelings of conflict and existential dread. An ominous, four-note descending piano sequence played in the bass, which continuously repeats to create a sense of being trapped in a cycle of doubt. Pitted against this grounding "organic" sound is a synthetic, artificial wind-like drone. Opti Heavy use of an ARP synthesiser to create synthetic strings and brass. It is driven forward by funk-inflected guitar riffs and crisp, dynamic drumming. Highly melodic and catchy. It operates as a tight, rhythmic grid alternating between brief guitar leads, descending synthesiser sequences, and playful, intertwining keyboard melodies.

A song about genealogy Part of the unlisted Ancestral Saga mini-album.

Part of the unlisted Ancestral Saga mini-album.

Part of the unlisted Ancestral Saga mini-album.

Part of the unlisted Ancestral Saga mini-album.

Part of the unlisted Ancestral Saga mini-album.

Part of the unlisted Ancestral Saga mini-album.

Part of the unlisted Ancestral Saga mini-album.

The morning that never came. Written Oct 19, 24 hours after the news of the tragedy in Scotland.

song style: Neo-Psychedelia, Dream Pop, Atmospheric, Introspective, Distorted Organ, Muffled Drums, Tape Saturation, Ethereal, Male Vocals, 75 BPM, Melancholic, Lo-fi Texture

Indie rock with elements of power pop and psychedelic rock. The arrangement features a bright acoustic guitar strumming eighth notes, a melodic electric bass, and a drum kit with a prominent snare and crashing cymbals. A clean electric guitar provides lead fills and rhythmic counterpoint. Male vocals are delivered in a mid-range tenor, transitioning into strained, high-pitched shouting and distorted vocalizations in the latter half. The track features a driving 4/4 beat at 132 BPM in the key of G major. Production includes heavy distortion and saturation on the vocals during the climax, with layered vocal harmonies in the choruses. Prompt Have I been a different me? Memory of using Snuff. I remember using it as a boy and as a man, but not in this life. Although I've used cigarettes and vapes, I've never used snuff. I remember the startling yet comforting sensation as I snorted it, and the sneezing. I remember tins, many tins with all the different shapes and colours. It was using it with friends, or alone, as a boy and as a man. David Bowie, 1970s, experimental rock Or psychedelic

The "Commuter Anthem." Originally a joke chorus sung during morning commutes. Represents the peak of Eddie Goode’s stadium-sized delusion. Social commentary disguised as a three-chord riff.

blue-eyed soul

Blue-eyed Soul, Orchestral Ballad, Sophisticated, Lush Strings, Smooth Saxophone, Piano Driven, Slow Groove, Sultry Male Vocals, Wide Reverb, 72 BPM, Cinematic, Mid-70s Warmth

Might be abandoned due to its cheesiness.

Originally: The Riff: It must be simple, repetitive, and feel like it was teleported from a 1950s Chicago blues club, Use open chords (E, A, D, G) and a boogie-woogie shuffle rhythm, The production is key: a slightly overdriven, warm, and woody rhythm guitar tone, panned to one side, Saxophone: A honking, joyous, sloppy baritone sax riff that answers every vocal line, It shouldn't be too clean or jazzy; it should sound like it's played by a glamorous alien who just learned the instrument, The Bass: Melodic and driving with the kick drum to create an unstoppable groove, Drums: Big, simple, and cavernous, A strong, steady 4/4 beat with a snare that cracks like a whip, Lots of tom-tom fills, Vocals: 1980s glam rock, The backing vocals are crucial: a group of high-pitched, echoing "oohs" and "aahs"; A single, shimmering electric piano (a Wurlitzer or Rhodes) playing sustained chords high up the register to add a cosmic, Bowie-esque texture Then remade as a glam rock cover

Demo version

Made using Inspo with Crossroads and Waiting on the Border, asking for a folk song.

Made using Inspo from Crossroads and Floating on the Border, asking Suno to write a profound poem

A cheeky song about couples treating their children as little accessories. When I was a kid, I was an accessory— And I don’t mean a criminal accessory britpop, 1990s, male vocalist Not the Criminal Kind / Boutique Baby

Vocals by Floyd Goggins (Surname inspired by Walton Goggins in "Justified"). A recurring character for Britpop and satiric-alternative tracks.

Britpop

Britpop

A cryptic dig at those oblivious to the AI tide. Meta-commentary on the evolution of music.

High-frequency subversive rants about digital dystopia and modern life.

Earlier version of "I Can Only Conclude"

High-frequency subversive rants about digital dystopia and modern life.

Reflecting on the stay at Findhorn (no WiFi) and the catch-up with Mike.

High-frequency subversive rants about digital dystopia and modern life.

High-frequency subversive rants about digital dystopia and modern life.

High-frequency subversive rants about digital dystopia and modern life.

From the unreleased concept album about a boy with a magic stone. Summary track on YouTube.

Alternative rock track in G major at 124 BPM, The arrangement features a bright acoustic guitar strumming open chords in a steady sixteenth-note pattern, A clean electric guitar plays melodic lead lines with light chorus and delay, The bass guitar follows the root notes of the chord progression with a rounded, warm tone, Drums consist of a standard rock kit with a prominent snare on the backbeat and eighth-note hi-hat patterns, Male vocals are delivered in a baritone tenor with a slight rasp, becoming more strained and energetic during the chorus, The bridge features a repetitive vocal chant over a driving rhythm, The track concludes with an extended guitar solo featuring blues-inspired bends and pentatonic runs with moderate overdrive Inspired by John Lennon's "Watching the Wheels".

A catchy satirical song about a man, maybe a friend, similar to Harpo's 1975 single "Moviestar"; a version for the 2020s. Instead of their 'commercial spot', it might be a brief appearance on a reality TV show, and instead of the 'grocery store', it might be order-picking in a warehouse.

hard rock, blues rock, classic rock, female vocals

British 1977 punk rock, Raw and aggressive, A simple, thrashy three-chord progression, No guitar solos, just relentless, driving anger, The rhythm section sounds like it's just barely holding together, adding to the feeling of a system on the verge of collapse, Male vocals, shouted and sneering, slightly distorted through a cheap microphone

A failure on SoundCloud so deleted.

Part of the "AI Context" cycle. Reflects the workaround of using chat summaries to bridge the gap between AI memory resets.

30 August 2025

With exo-skeletal technology advancements and slimming injections, there will be fewer excuses for being unfit for work. "What, you say that you can't walk round to the shops? We'll sort that out and we'll have you back in work in no time." YouTube: D4NafM43rpM

About AI in music dissenters

Sound: Just a lone, slightly detuned acoustic guitar, finger-picked in a minor key, The chilling sound of a bow slowly drawn across a cello string, Vocal: A deep, gravelly, English mournful baritone, Not shouting, but pronouncing the curse with grim icy finality, Vibe: Ancient, supernatural dread, It feels less like a protest and more like a hex

This is two tracks, with the second one with similar lyrics and by Phantom DB

Part of the "AI Context" cycle. Reflects the workaround of using chat summaries to bridge the gap between AI memory resets.

Different takes of the same song.

The first version of this song

Revised from Which Side

See public

Progressive metal with symphonic elements. Distorted electric guitars play syncopated palm-muted riffs and rapid alternate-picked runs. A prominent synthesizer provides bright, staccato lead lines and atmospheric pads. The bass guitar is heavily distorted with a metallic clank, following the kick drum patterns. Drums feature rapid double-kick patterns, complex snare syncopation, and frequent cymbal crashes. Male vocals range from a clean, melodic tenor to aggressive, shouted delivery. The track features frequent time signature changes and abrupt transitions between dense polyphonic sections and melodic choruses. 160 BPM, E minor.

Indie pop with funk and disco influences. Clean electric guitar plays syncopated 16th-note scratches and palm-muted riffs. A melodic electric bassline moves in eighth-note patterns. Drums feature a tight snare and consistent hi-hat eighth notes. Male vocals are delivered in a mid-range tenor with occasional falsetto leaps. Bright, staccato brass stabs from trumpets and saxophones punctuate the transitions. The tempo is 115 BPM in the key of G major. Production is clean with light compression on the vocals and a dry, punchy drum mix.

Alternative rock with electronic elements. Clean electric guitar plays syncopated eighth-note riffs with light chorus and delay. A synth bass provides a steady low-end pulse, while a drum machine-style beat features a crisp snare and tight hi-hats. Male vocals are delivered in a mid-range baritone, shifting to a layered, harmonized chorus. Distorted electric guitar power chords enter during the chorus sections. The track features a steady 4/4 time signature at 120 BPM in the key of G minor. Atmospheric synth pads provide harmonic texture in the background.

Indie pop with a driving funk-rock influence. Clean electric guitar plays syncopated sixteenth-note scratches and palm-muted riffs. A melodic bass guitar line moves in eighth-note patterns. Drums feature a tight snare and consistent hi-hat eighth notes. Male vocals are delivered in a mid-range tenor with occasional falsetto leaps. A bright, staccato brass section consisting of trumpet and saxophone provides rhythmic stabs during transitions. The tempo is 120 BPM in the key of E major. The arrangement uses a dry production style with minimal reverb on the instruments and a light slapback delay on the vocals. Synthesizer pads provide subtle harmonic backing in the choruses.

Cyberpunk-influenced synth-rock with a driving industrial edge. The track features a prominent, gritty synth bassline and a steady acoustic drum kit with a crisp snare. Distorted electric guitars provide rhythmic power chords and melodic textures. A clean, processed male vocal sits forward in the mix with subtle electronic doubling. Atmospheric synth pads and digital glitch sound effects are layered throughout. The tempo is 120 BPM in the key of C minor. The arrangement utilizes a blend of organic rock instrumentation and futuristic electronic production.

Indie folk with a 4/4 time signature at 115 BPM in the key of G major. The arrangement features a fingerpicked acoustic guitar and a clean electric guitar playing melodic counter-lines. A warm electric bass follows the kick drum patterns. Percussion consists of a standard drum kit with a prominent shaker and tambourine. Male lead vocals are delivered in a mid-range baritone, occasionally shifting to falsetto during the chorus. Harmonies are provided by a secondary male vocal. A flute solo appears in the bridge, characterized by light vibrato and staccato phrasing. The production uses light room reverb on the vocals and acoustic instruments.

Alternative rock with progressive elements, Distorted electric guitars play syncopated power chords and palm-muted riffs, A clean electric guitar provides melodic counterpoint with chorus and delay effects, The bass guitar follows the kick drum with driving eighth-note patterns, Drums feature a prominent snare on beats two and four with active hi-hat and crash cymbal accents, Male vocals are delivered in a mid-to-high tenor range with occasional double-tracking and light saturation, The arrangement includes atmospheric synthesizer pads and occasional electronic percussion textures, 135 BPM, E minor, 4/4 time signature

Indie pop with a funk-influenced groove, The arrangement features a clean, percussive electric guitar playing staccato rhythmic scratches and muted chords, A melodic electric bass line provides syncopated movement, locking with a dry, tight drum kit characterized by a crisp snare and steady hi-hat eighth notes, Male vocals are delivered in a rhythmic, almost spoken-word style during verses, shifting to a melodic tenor in the choruses, Occasional bright synth stabs and subtle pad textures fill the mid-range, The tempo is 115 BPM in the key of G major, The production is clean and dry with minimal reverb, emphasizing the rhythmic interplay between the guitar and bass [Prologue] Moonlit fracture, pulled apart Hourglass spilling at the start Velvet morning won’t arrive Between two nights I come alive Fingers tracing colored glass Reflections twist, illusions pass I paint new hours on my skin A hidden life I wander in Ankles cold against the floor A different self behind each door Reality bends, thin and deep I take my Watch instead of sleep --------------- above not used in release

A hazy, romantic dream-pop lament with a baroque twist, Features breathy, double-tracked vocals, a warm, slightly detuned acoustic guitar, and a prominent, melancholic music box melody, The brushed percussion feels like a heartbeat, The arrangement is sparse, allowing the surreal, nostalgic lyrics to feel intimate and fragile

DON'T PUT THIS ON! :) A hazy, romantic dream-pop lament with a baroque twist, Features breathy, double-tracked vocals, a warm, slightly detuned acoustic guitar, and a prominent, melancholic music box melody, The brushed percussion feels like a heartbeat, The arrangement is sparse, allowing the surreal, nostalgic lyrics to feel intimate and fragile Replaced first line: "Dust motes dance in fading light"

Reaction to sperm donor story. Reduction of life to data notifications. Different takes and styles.

A bit of an unfinished fragment, Not very good.

Nu-disco and synth-pop track at 124 BPM in B minor, A four-on-the-floor kick drum and crisp snare on 2 and 4 drive the rhythm, complemented by a syncopated 16th-note shaker and tambourine, The bassline consists of a driving, eighth-note synth bass with a slight filter envelope, A bright, staccato electric guitar riff plays muted 16th-note patterns, Polished female vocals feature a mix of chest voice and high-register belts with light plate reverb, Synthesizers include shimmering polyphonic pads and a bright, brassy lead synth that doubles the vocal melody during the chorus, The arrangement builds with rising white noise sweeps and rhythmic synth pulses leading into the hook

Synth-pop with a strong disco influence, The track features a driving four-on-the-floor kick drum, a syncopated synth bassline, and bright, rhythmic electric guitar scratches, Layered synthesizers provide shimmering pads and staccato melodic hooks, The vocals are a female lead with layered harmonies, The production is polished with prominent reverb on the vocals and a wide stereo image for the synth textures, Tempo is 124 BPM in the key of B minor

A woman who has been channelling frequencies that were picked up by the wrong sort of person, sings: Please walk away; you are insignificant. Incapable of sustaining/providing the comfort I require With a style like: A synth-pop track with a driving, sequenced bassline and detached, robotic vocals, reminiscent of early Gary Numan, features atmospheric pads and a sparse, metallic drum beat, creating a cold yet emotional soundscape

Synth-pop with a heavy electronic influence, The track features a driving four-on-the-floor kick drum, a syncopated synth bassline, and bright, staccato synthesizer chords, A clean electric guitar provides rhythmic muted strums, The vocals are processed with light pitch correction and moderate reverb, The arrangement includes filtered synth sweeps and a prominent snare on the backbeat, 120 BPM, G minor, 4/4 time signature

Suno takes below

Co-written with DeepSeek/Suno. A parody of hyperbolic grief used as a buffer before the funeral trip.

Frayed Cardigan (renamed Acrylic Cardigan) (A Tragedy in Acrylic) Rewritten by kimi-k2.5 Updated styles: Baritone vocal with occasional theatrical falsetto leaps, deadpan British crooning with wry detachment, melancholic indie-pop in the style of The Smiths, 1980s Manchester post-punk, prominent jangly Rickenbacker 12-string guitar arpeggios, melodic bass guitar, dry acoustic drums with understated driving rhythm, sparse haunting bridge featuring solo accordion or melancholic strings, soaring dramatic vocal melody, builds from intimate verses to anthemic, sighing choruses, evokes literate yearning and theatrical tragicomedy, witty self-deprecation, Oscar Wildean camp despair, 95 BPM, analog warmth, avoid: polished modern pop production, major-key cheerfulness, American vocal style or Baritone vocal with sudden falsetto moments, very British deadpan delivery, melancholic jangle-pop, 1980s Manchester, no synths, prominent clean Rickenbacker 12-string guitar with intricate arpeggios, melodic fretless bass, dry room-reverb drums, dynamic shifts from intimate acoustic verses to full electric band, haunting bridge with solo viola or accordion, theatrical despair with ironic wit, tragicomic tone, mid-tempo 4/4, vinyl crackle aesthetic

Created from the anchor line: "the excessive immenseness of my grief is crushing me." Authentic 80s Manchester gloom-pop.

The second version used.

Sourced from Sonauto following thwe prompt: Perfume is Deception

Style: Post-punk, 1970s kitchen sink realism, C86 jangle pop, deadpan male baritone, monotone delivery, dry boxy drums, prominent melodic bass, thin brittle rhythm guitar, lo-fi, 1970s BBC broadcast mic, no reverb, cold analog saturation, 105 BPM. Original lyrics by Suno Prompt and rewritten by kimi-k2.5 The chip in the mug stays on the table. A five-minute-and-forty-three-second wander through a magnolia-painted hallway. During the making, the immersion heater started playing up again.

Prompt: love is a dreary compromise Dreary Compromise / Half a Life at Best

Jan 2: 7 views. Creeping out of the duffers.

title: Nonchalant song style: Indie rock sounds with driving basslines, jangling guitars, and detached vocals, evoking a sense of apathy and wry observation. Echoing drums create a spacious atmosphere. After visiting internet forums and social media sites, the Embittered Poet is very disappointed that there isn't a nonchalant button between the buttons for like and dislike.

From Suno Prompt: Morrissey - Perfume is deception, your fragrance is a lie

Morrissey feels a need to keep feeding the machine with his creativity but suspects that he is being shadow-banned and cancelled. He sometimes causes controversy with subjects he sings about, but that is a part of the art, and he is making profound statements and at the same time only trying to satiate the machine's hunger. Baritone vocal but can occasionally momentarily shift to falsetto, a tremulous, maudlin delivery. 1980s Indie Rock meets 2026 Glitch-Pop. Jangly Rickenbacker guitars fighting through layers of digital distortion and low-pass filters. Melancholic, cinematic, and defiant. A sense of being muted or broadcasting from a bunker.”

MORRISSEY Cancels Show “Due to Sleep Deprivation” and Being in a “Catatonic State”, Blames Noise Outside Hotel Room: “It Will Take Me One Year to Recover”. Morrissey cancels his concert in Valencia due to “lack of sleep” because of the Fallas noise: “It’s catatonic”. The artist had scheduled a concert for tonight at the Palau de les Arts in Valencia, but has suspended it because he "could not sleep or rest during the night due to the noise of the festival

Note: changed from "How thoughtful of you" to "Well isn't that nice" Baritone vocal but can occasionally momentarily shift to falsetto, Moody alternative rock, heavy tremolo guitar, plodding and deliberate bassline, soaring but bitter vocals, cinematic strings in the background, a sense of grand isolation and suburban rot

A major success. 135 views. Noted by Barcelona composer Jesús Acebedo as "Absolutely Amazing!". A blend of Morrissey-esque existentialism and corporate purgatory.

3. PRODUCER NOTES Recommendation: For the Moz persona, Suno v5 is perfect because it captures the nuance of baritone "crooning" much better. If the first generation sounds too modern, add "1980s production" or "Vintage analog" to the Style box. Next Steps: "Heavens knows, I'm just done" felt like the right way to end that for a Moz-style track! If you get a version where the vocal is too flat, try adding [Vocal: Operatic, Yearning] to the top tags. I can almost hear the gladioli hitting the stage floor already. Let me know how the render turns out! ??

Vocals by Floyd Goggins (Surname inspired by Walton Goggins in "Justified"). A recurring character for Britpop and satiric-alternative tracks.

Vocals by Floyd Goggins (Surname inspired by Walton Goggins in "Justified"). A recurring character for Britpop and satiric-alternative tracks.

Vocals by Floyd Goggins (Surname inspired by Walton Goggins in "Justified"). A recurring character for Britpop and satiric-alternative tracks.

Vocals by Floyd Goggins (Surname inspired by Walton Goggins in "Justified"). A recurring character for Britpop and satiric-alternative tracks.

Female British singer, A quirky but melancholic song blending traditional folk instruments like the acoustic guitar and banjo with early electronic synthesizers

A lively and boisterous English folk tune featuring a prominent fiddle melody and stomping percussion, with a rowdy male chorus.

Contemporary Folk, Singer-Songwriter, Storytelling, Acoustic Guitar, Mellow, Intimate, Breathless Female Vocals, Warm Room Reverb, 88 BPM, Fingerpicked Steel Strings, Natural Recording

Female British singer, A quirky but melancholic song blending traditional folk instruments like the acoustic guitar and banjo with early electronic synthesizers

Mood: Darker, slower, more mysterious. A fingerpicked, minor-key guitar progression; A cello or bowed double bass provides a droning undertone; No percussion, The tempo is a slow, rubato drift (like a music box winding down). The guitar itself provides a hesitant, pulsing rhythm. Bass & Drone: A cello or double bass played with a bow, providing a deep, sustained, and mournful drone throughout, holding down the root notes of the chords. Lead Melody: The vocal melody is the lead. The 12-string guitar provides a counter-melody with its arpeggios. Additional Colour: The faint sound of chimes or a music box (very low in the mix) during the instrumental breaks. Absolutely no piano or harmonica, Vocal Performance: Close-mic'd, dry, and whispered-sung. The delivery is quiet, hypnotic, and unsettling, like someone sharing a secret. A clear, almost theatrical enunciation, No accent; this is an interior voice. Backing Vocals: None, Only a faint, single-layer double-track of the lead vocal

A somber folk ballad featuring a lone acoustic guitar and a melancholic cello, The melody is slow and dirge-like, evoking a sense of despair, The harmony is sparse, emphasizing dissonant chords to convey the grim atmosphere

A laconic lament of an ancient English tribe member after defeat. Obscure, folk-noir atmosphere. "A song about the mournful atmosphere of an ancient English tribe in the aftermath of losing a battle, with a style and a mood similar to Statues by OMD (without mentioning statues), with a similar laconic paucity of lyrics as that song."

A lively and boisterous English folk tune featuring a prominent fiddle melody and stomping percussion, with a rowdy male chorus

Pulsating synth bass, echoing delay effects, and a minimalist, cold melody create a desolate atmosphere, Sparse percussion and detached vocal samples convey robotic detachment, culminating in a bittersweet, technological soundscape

David Bowie, late 1990s, drums, electric guitar, synthesizer Sonauto Prompt: A disturbing Lynchian piece where the character listens on the phone to their father, who tells them that they are at a location out of the care home. They sound happy and in a frivolous mood. Asked how they got out of the care home, the father says he isn't playing 20 questions. There is a woman in the background noise. The character says that they'd better be careful because the woman might be after their money. Then the character remembers that that wouldn't matter, and says "probably because you are dead."

Sceptical Stephen Stephen doesn't use Copilot, he says it isn't intelligent Mechanical rhythms underscore haunting synth melodies, evoking a sense of unease, echoing uncertainty and questioning with detached, robotic vocals https://www.sthelens-connect.net/board/viewtopic.php?p=3094

The intended track (as far as Sonauto was concerned) had more before the beginning and after the end.

The "Phantom Sessions, Vol 1". An imaginary collaboration between Bowie, Ferry, and Eno. 1970s Berlin-era aesthetics meet Roxy Music glamour. Ferry-heavy vocals with duet elements. SONAUTO TAGS: classic rock, 1970s, Brian Eno, art rock, glam rock, David Bowie, proto-punk, Bryan Ferry, progressive pop, britpop, avant-pop. Ferry takes lead with Bowie-esque "gravity" in the mix.

The second album. Was 2 views before it was released from being private while adding timestamps, then it went up to 9 views, then down to 4, then up to 5.

Post-Punk, New Wave, Staccato Bassline, Driving Rhythm, Synth Pop, Tense, Anxious Mood, 135 BPM, Male Vocals, Angular Guitar, Cold Production, 80s Retro ----- Gothic Rock, 1980s Post-Punk, Bauhaus style, Deep Baritone Male Vocals, Flanger Bassline, Sparse Reverb Drums, Jagged Angular Guitar, Dark Dramatic Mood, Cold Production, 105 BPM

Male and female takes of the song.

Indie rock with a driving, syncopated groove, A clean electric guitar plays a rhythmic, percussive riff using muted strums and sharp accents, The bass guitar follows the kick drum with a punchy, mid-forward tone, Drums feature a tight, dry snare and a consistent eighth-note hi-hat pattern, Male vocals are delivered in a rhythmic, almost spoken-word style in the verses, shifting to a powerful, belted tenor in the choruses with layered harmonies, The arrangement includes subtle synth pads and occasional guitar feedback swells, The tempo is 128 BPM in the key of E Major

Used: "Not Worth a Mention", "Rewind Recite" and "Copy of a Copy" as Inspo

Indie rock with a driving, upbeat feel. The arrangement features clean and slightly overdriven electric guitars playing rhythmic, interlocking riffs and bright, jangly arpeggios. A melodic electric bass follows the kick drum closely, providing a solid low-end presence. The drum kit maintains a steady, energetic backbeat with prominent hi-hat work and occasional crash cymbal accents. Male vocals are delivered in a clear, mid-range tenor with a slight grit during the chorus. The track is in the key of D Major with a tempo of 128 BPM in 4/4 time.

Menacing 1977 UK punk with melodic treble bass, swirling organ, and sardonic baritone spoken-sung snarling vocals, driving bass, Farfisa organ, cynical lyrics, proto-punk attitude

Indie rock with power pop influences. Features a driving drum kit with a prominent snare, a melodic electric bass, and multiple layers of electric guitars including clean arpeggios and overdriven rhythm tracks. A male lead vocal delivers rhythmic, syncopated lines with occasional backing harmonies. The tempo is 128 BPM in 4/4 time. The arrangement uses staccato guitar stabs and a walking bassline during verses, transitioning to sustained power chords and crash-heavy drumming in the choruses. A bridge section features a breakdown with rhythmic vocal delivery and building guitar layers.

Border Guy

Lyrics sharpened by Kimi-k2.50 Second version used.

Baritone vocals, Ethereal folk with acoustic guitar and haunting vocal harmonies, a waltz rhythm evokes a bittersweet nostalgia, a subtle cello adds a layer of sorrow and longing, the melody is simple yet deeply emotional

Dark Ambient, Cinematic Downtempo, Haunting Narrative Rock, The mood is reflective and deeply ominous, not action-oriented, Think of the slow, dreadful realization in a psychological thriller, A weathered, English male baritone voice, Calm on the surface but with a deep undercurrent of trauma, The delivery should be slow, clear, and narrative, like he's confessing a terrible secret Redone with my voice

Suno couldn't do it. It kept on insisting on including a woman's voice. Prompt: A disturbing Lynchian piece where the character listens on the phone to their father, who tells them that they are at a location out of the care home. They sound happy and in a frivolous mood. Asked how they got out of the care home, he isn't playing 20 questions. There is a woman in the background noise. The character says that they'd better be careful because the woman might be after their money. Then the character remembers that that wouldn't matter, and says "probably because you are dead."

Used Garmonbozia as Inspo write an unhinged Lynchian song

An experimental dark electronic track with dissonant synth textures and a pulsating, tribal drum beat, Glitchy samples and a distorted, echoing vocal loop create a nightmarish, disorienting atmosphere. A male vocal with a distorted, chant-like delivery.

Style: Ethereal wave, dream pop, haunting ambient jazz, in the vein of Twin Peaks, slow tempo, lush reverb, melancholic saxophone, Whispery, breathy, ethereal female vocals with a distant, dreamlike delivery, Use a more mournful, low-pitched baritone saxophone sound, Add more atmospheric synth pads and vinyl crackle

A slow, haunting ambient jazz piece, A mournful baritone saxophone melody yearns over a bed of shimmering, dissonant Fender Rhodes chords, A hypnotic, wandering double bassline provides the pulse, Lush synth pads swell in the background like fog rolling in, The feel is cinematic, lonely, and beautiful, in the vein of the Twin Peaks soundtrack, Heavy reverb and vinyl crackle throughout, Slow tempo

A slow, sinister, jazz-noir ballad, Male vocals, whispered and crooned with a dark, theatrical intensity (in the style of David Lynch's "Blue Velvet"), Dissonant, lingering piano chords, A wandering, stand-up bassline, Incorporate atonal, eerie saxophone wails and industrial ambient textures, The vibe is voyeuristic, unsettling, and passionately strange, Heavy reverb and vinyl crackle

Reflecting on the mind games that people in relationships may find themselves trapped by their own insincerity and continuing to wear this facade until it becomes tattered. Terse lyrics, resonant bass, and a wailing saxophone. This is not a first-person narrative but rather an observational account about life in general.

The "Lynchian" phase. Using surrealism and gothic horror (Dracula/Twin Peaks) to navigate the week of Andy's birthday.

Ethereal wave, dream pop, haunting ambient jazz, in the vein of Twin Peaks, slow tempo, lush reverb, melancholic saxophone, Whispery, breathy, ethereal female vocals with a distant, dreamlike delivery, Use a more mournful, low-pitched baritone saxophone sound, Add more atmospheric synth pads and vinyl crackle Happy accident. The evolution is below. :)

https://audioaidynamics.com/ 1. Electronic 2. Hip Hop 3. Rock 4. Reggae 5. Pop The track combines elements of Electronic, Hip Hop, Rock, Reggae and Pop. Its sonic textures are heavy with synthesized sounds that create an energetic atmosphere. The emotional tone is upbeat and danceable with lyrics that encourage dancing or singing along to the beat. Overall it sets the perfect mood for any occasion where you want to feel alive and happy without resorting to specific artists or song names.

Ethereal wave, dream pop, haunting ambient jazz, in the vein of Twin Peaks, slow tempo, lush reverb, melancholic saxophone. Whispery, breathy, ethereal female vocals with a distant, dreamlike delivery. Use a more mournful, low-pitched baritone saxophone sound. Add more atmospheric synth pads and vinyl crackle

This one turned out to be a bit too Middle East for release.

A powerful anthem about the regret of voting in a failing democracy. Features soaring strings and the "sinking ship" metaphor.

indie rock, classic 80s Manchester indie, storytelling baritone male British singer, melancholic jangle pop - Moz voice.

Moz Voice. Psychedelic Rock, Garage Punk, Menacing, Distorted Bass, Fuzz Guitar, Tremolo Organ, Chaos, 140 BPM, Male Vocals, Gritty, Unpolished, Tension

song style: Neo-Psychedelia, Dream Pop, Atmospheric, Introspective, Distorted Organ, Muffled Drums, Tape Saturation, Ethereal, Male Vocals, 75 BPM, Melancholic, Lo-fi Texture

Relegated to The Duffers playlist (under 9 views in debut week). Awaiting redemption.

Minimalist synth-pop. A cold, robotic male vocal. Driven by a repetitive, pulsing sequencer bassline and a steady electronic drum machine beat. Atmospheric synth pads and a simple, haunting melody. The mood is detached, observational, and slightly melancholic, like early Human League

A Lou Reed/Stooges-inflected track. Part of the Norvegicus evolution. Lyrics are a performance of cynical "cool" rather than genuine sentiment. Features a Jaggeresque vocal.

Peter Mandelson is singing about Jeffrey Epstein. Vocal: Half-sung, half-spoken baritone in a mock-whimsical sardonic tone that slowly drips with venom, Instruments: Treble-heavy bass, dissonant organ, minimal drums

Remixed 17/03/2026

Male vocals, A melancholic indie folk ballad featuring a prominent acoustic guitar and a lonely harmonica melody, capturing a sense of youthful angst and disillusionment, with a sombre vocal delivery. 17 October 2025 at 11:12

A melancholic indie folk ballad with acoustic guitar and a gentle piano melody, evoking a sense of longing and youthful idealism, The vocals are soft and introspective, supported by subtle strings that swell during moments of emotional intensity 17 October 2025 at 12:24

The former Prince Andrew

Taylor Swift parody

1970s, progressive pop, new wave, glam rock, art rock, experimental rock, David Bowie, Bryan Ferry, sophisti-pop Borrowed From Time (Martian Sunrise) 6:30 Indie rock with psychedelic and space rock influences. Clean electric guitar arpeggios and light overdrive rhythm guitars drive the arrangement. A melodic bassline follows the chord progressions with occasional syncopation. Drums feature a steady backbeat with prominent hi-hat work and occasional crash accents. Male lead vocals are delivered in a mid-range tenor with light reverb and delay, occasionally layering into harmonies during the chorus. Atmospheric synth pads and subtle electronic textures provide a spatial background. The tempo is 115 BPM in the key of G major.

Lyrics are pretty garbled. A bit of a write-off. DeepSeek explained that the AI was going along with the theme of 'connection lost'. OK, then.

Pop rock with funk influences. Clean electric guitar plays syncopated 16th-note scratches and palm-muted riffs. A melodic bass guitar performs active, walking lines with occasional slides. Drums feature a crisp snare and steady hi-hat patterns. Male tenor vocals are delivered with a rhythmic, soulful inflection. The arrangement includes bright brass stabs and a clean electric guitar solo with rapid pentatonic runs. 120 BPM, E major, 4/4 time.

This one was a struggle to make. The Sonauto AI missed verse 1 and verse 3 before going into the outro.

Indie folk-pop with a bright, acoustic-driven arrangement, Acoustic guitar plays a rhythmic, percussive strumming pattern in 4/4 time, A clean electric guitar provides melodic counterpoint with single-note lines and light overdrive, The bass guitar follows the kick drum with a steady, melodic pulse, Drums feature a crisp snare and a prominent kick, Male lead vocals are delivered in a mid-range tenor, occasionally shifting into falsetto during the chorus, Multi-part vocal harmonies appear in the chorus and bridge, The tempo is 115 BPM in the key of G major, The bridge features a rhythmic breakdown with handclaps and a simplified bass line before returning to the full arrangement

Maybe redo to fix "Say goodbye to borrowed days" from "bucket of days". Indie folk with a mid-tempo shuffle feel, Acoustic guitar provides the rhythmic core with steady strumming and occasional fingerpicked flourishes, A melodic bass guitar line moves with a warm, rounded tone, Drums feature a prominent snare with a light, shuffling pattern and crisp hi-hats, A bright, clean electric guitar adds melodic counterpoint and arpeggiated textures, Male vocals are delivered in a clear, mid-range baritone with occasional harmonies, A subtle organ pad provides harmonic depth in the background, The arrangement is spacious, emphasizing the interplay between the acoustic and electric guitars, 115 BPM, Key of G Major, 4/4 time signature

Britpop-influenced alternative rock track in G major at 118 BPM. The arrangement features a prominent acoustic guitar strumming eighth-note patterns, layered with clean and slightly overdriven electric guitars playing melodic lead lines and arpeggios. A melodic electric bass follows the chord progressions with occasional passing tones. The drum kit maintains a steady backbeat with active hi-hat work and frequent crash cymbal accents. Male lead vocals are delivered in a mid-range tenor with a slight rasp, supported by harmonized backing vocals during the chorus. The production is polished with moderate reverb on the vocals and a wide stereo image for the guitars. A bright piano provides rhythmic reinforcement in the higher register during the choruses.

Rooftop Guy persona Remade again with guide from Phantom DB

These are the lyrics from the standard album version

Formerly "Palace Parade Hall" and "I Met a Jester Made of Mercury". Reduced the volume on the vocals, drums and bass and put 'Dance 1' reverb on the vocals. I'll rename it to "Paradox Parade". I tried a few different effects, but the minimal ones seem to have fixed it. It must have been made after Old Sandhill Boots was finished.

Folk rock with a bright, acoustic-driven arrangement, Acoustic guitar provides a steady eighth-note strumming pattern throughout, A clean electric guitar plays melodic lead lines and arpeggiated fills, The bass guitar follows the root notes of the chord progression with a warm, rounded tone, Drums feature a standard backbeat with prominent hi-hat work and occasional crash cymbal accents, Male vocals are delivered in a clear, mid-range tenor with occasional group vocal harmonies during the chorus, The tempo is 115 BPM in the key of G major, A short instrumental bridge features a melodic acoustic guitar solo accompanied by light percussion

Gemini suggestion - a surprise hit on SoundCloud.

That was a very troublesome session. It took quite a few generations to get something worth working with. Even then it missed lines out, but again, you wouldn't know if you didn't have the lyrics. Then by the time we get to the end it goes completely off piste. It is very spooky though... like I guess it is supposed to be. Like any of the others, it could have gone on so many different directions.

Indie rock ballad featuring male baritone vocals, The arrangement centers on a clean electric guitar playing arpeggiated chords with light chorus and delay, A fretless bass provides melodic counterpoint with slides and vibrato, Drums enter with a steady backbeat, featuring a crisp snare and prominent hi-hat eighth notes, A grand piano adds chordal reinforcement during the build-up, The track transitions into a mid-tempo rock feel with light overdrive on the guitars, Key of G major, 85 BPM

"Static Dreams" on Sonauto.

Lyrics mnay differ

Space rock with glam and power pop influences, Distorted electric guitars play driving eighth-note power chords and melodic lead lines, A synth bass provides a thick, fuzzy low end, Drums feature a heavy backbeat with prominent crash cymbals and fills, Male lead vocals are delivered with a high-energy, anthemic quality, supported by layered vocal harmonies in the chorus, A bright, shimmering synthesizer plays melodic hooks and atmospheric pads, The track is in the key of G major at 135 BPM in 4/4 time

Some of these lyrics went off piste

Glam rock with power pop influences. Features a bright, overdriven electric guitar playing rhythmic power chords and melodic lead fills. A driving drum kit maintains a steady backbeat with prominent crash cymbals and open hi-hats. The bass guitar follows the kick drum with a thick, rounded tone. Lead male vocals are delivered with a theatrical, high-tenor range, frequently utilizing vibrato and soaring sustained notes. Backing vocals provide lush, multi-tracked harmonies during the chorus. The arrangement is dense and energetic, characterized by a 4/4 time signature at 128 BPM in the key of E major.

Indie rock with a mid-tempo groove in 4/4 time at 105 BPM in the key of E major, The arrangement features a clean, slightly compressed electric guitar playing rhythmic eighth-note patterns and melodic lead lines, A warm, round electric bass follows the kick drum patterns, The drum kit consists of a tight snare, a punchy kick, and crisp hi-hats with occasional crash accents, Male vocals are delivered in a smooth, melodic baritone with light reverb, The track incorporates subtle synth pads for harmonic depth and a secondary overdriven electric guitar that enters during the chorus to provide a fuller frequency spectrum, The bridge features a rhythmic breakdown with syncopated guitar stabs and a driving bassline

Sophisticated synth-pop with a mid-tempo groove at 105 BPM in the key of E major. The arrangement features a prominent slap bass line that syncopates with a crisp drum machine beat. Clean, funk-inspired electric guitar scratches provide rhythmic accents. Lush, polyphonic analog synth pads and shimmering digital bells create a dense harmonic layer. Male tenor vocals are delivered with a smooth, melodic phrasing, often layered with harmonies. A bright, staccato synth lead plays melodic fills between vocal lines. The production is polished with gated reverb on the snare and subtle chorus effects on the guitars and synths.

The "Lost" track from Phantom Sessions. Features a dual Bowie/Ferry vocal style. Extended version with Crimson Curtains intro.

Single

Indie rock track with a psychedelic pop influence. The arrangement features a driving drum kit with a crisp snare and active hi-hats, a melodic electric bass, and multiple layers of electric guitars including clean arpeggios, rhythmic strums, and a fuzzy, wah-inflected lead. A bright, slightly detuned synthesizer provides melodic counterpoints and atmospheric pads. The male vocals are delivered in a smooth, mid-range tenor with occasional double-tracking and light reverb. The tempo is 125 BPM in 4/4 time, in the key of E major.

Indie pop with psychedelic rock influences, The track features a prominent, syncopated electric bassline, clean electric guitar with light chorus and delay, and a steady drum kit with a crisp snare and active hi-hats, Male vocals are delivered in a smooth, melodic tenor, occasionally shifting into falsetto, A vintage-style synthesizer provides atmospheric pads and occasional melodic flourishes, The arrangement includes a breakdown with a funky, wah-wah guitar riff and a driving, rhythmic bridge, The tempo is 115 BPM in the key of E major, 4/4 time

Industrial Synthwave, Cold Corporate, Staccato, Robotic Male Vocals, Driving Bassline, Sharp Percussion, Dark Atmosphere, Clinical Precision, 120 BPM, Minimalist, Synthetic

Indie rock with a bright, upbeat tempo of 128 BPM in the key of G major. The arrangement features a clean, jangly electric guitar playing rhythmic eighth-note patterns and a melodic lead line. A driving drum kit maintains a steady backbeat with prominent hi-hat work and occasional crash cymbal accents. The bass guitar follows the kick drum with a melodic, walking-style line. Male vocals are delivered in a clear, energetic tenor range with occasional harmony layers and falsetto ad-libs. The production is polished with light reverb on the vocals and a wide stereo image for the guitars.

Vintage 1971 mono recording, low fidelity tape hiss, muddy mix, buried vocals, thin acoustic guitar, amateur bedroom demo There are quite a few more versions, including a phantom Bolan one

1970s British Glam rock revival influence. Distorted electric guitars play rhythmic power chords and syncopated riffs. A driving drum kit features a prominent snare and crashing cymbals. The bass guitar follows the root notes of the guitar progression with a fuzzy tone. Male vocals are delivered a fey, breathy, slightly eccentric energetic performance, often utilizing a high-register belt and occasional falsetto ad-libs. The arrangement is dense with layered guitars and vocal harmonies in the chorus. Tempo is 145 BPM in 4/4 time, key of G major.

Indie rock with a driving, upbeat tempo at 135 BPM in the key of G major, The arrangement features a bright, strummed acoustic guitar and a clean electric guitar playing melodic lead lines, A punchy bass guitar follows the kick drum pattern, while the drum kit maintains a steady backbeat with prominent hi-hat work, Male vocals are delivered in a clear, mid-range tenor, occasionally layering into harmonies during the chorus, The production is clean with light reverb on the vocals and guitars, creating a spacious but focused soundstage, A bridge section features a breakdown with handclaps and a simplified drum pattern before returning to the full arrangement

Power pop with musical theater influences, Features bright electric guitars with light overdrive, a driving drum kit with prominent crash cymbals, and a melodic electric bass, Orchestral elements include a brass section with trumpets and trombones, and a string section providing rhythmic staccato accents, Lead male vocals are delivered in a theatrical, belting style with frequent harmony stacks, The tempo is 145 BPM in the key of G major, The arrangement uses frequent stop-start dynamics and dramatic brass stabs to punctuate lyrical phrases, A bridge section features a half-time feel with sustained piano chords before returning to the uptempo chorus

Pitting a stark, repetitive piano motif against an eerie, synthetic soundscape to embody feelings of conflict and existential dread, An ominous, four-note descending piano sequence played in the bass, which continuously repeats to create a sense of being trapped in a cycle of doubt, Pitted against this grounding "organic" sound is a synthetic, artificial wind-like drone

Acoustic Folk, Singer-Songwriter, Nostalgic, song blending traditional folk instruments like the acoustic guitar and banjo with early electronic synthesizers, Singer-Songwriter, Nostalgic

Was a Phantom DB song. Upbeat pop rock in E major at 124 BPM, The arrangement features a driving drum kit with a crisp snare and steady eighth-note hi-hats, A clean electric guitar plays rhythmic palm-muted patterns and bright, jangly chords, A melodic bass guitar follows the kick drum with syncopated root notes, Tenor male vocals lead with a clear, resonant tone, supported by layered vocal harmonies in the chorus, A bright acoustic piano provides rhythmic staccato chords during the bridge, The production is polished with light compression and subtle plate reverb on the vocals, A clean electric guitar solo features melodic bends and slides

Indie rock with psychedelic pop influences. Features a bright, jangly electric guitar playing rhythmic chords and a melodic bassline that follows the vocal melody. The drums maintain a steady backbeat with prominent hi-hat work. Male vocals are delivered in a high-energy, slightly nasal tone with frequent melodic leaps. The arrangement is dense with layered guitar tracks and occasional vocal harmonies.

Pink Galactic Mystery Indie rock with psychedelic pop influences. Features a bright, jangly electric guitar playing rhythmic chords and a melodic bassline that follows the vocal melody. The drums maintain a steady backbeat with prominent hi-hat work. Male vocals are delivered in a high-energy, slightly nasal tone with frequent melodic leaps. The arrangement is dense with layered guitar tracks and occasional vocal harmonies.

Emo-Folk / Indie Folk, Think fingerpicked acoustic guitar, but with a slightly "nervous" energy, and a bamboo flute played with a breathy, lonely vibrato

Female British singer, A quirky but melancholic song blending traditional folk instruments like the violin, acoustic guitar and banjo with early electronic synthesizers

Glam Rock, Psychedelic Rock, Fuzzed Guitar, Heavy Bassline, cosmic, retro Vocals a distinctive blend of hushed intimacy, theatrical glam-rock swagger, but with a unique, intimate vulnerability and a childlike husky whisper Indie pop with a high-tempo, driving rhythm. The arrangement features a bright, overdriven electric guitar playing a rhythmic chord pattern and a melodic lead line. A clean, punchy electric bass follows the kick drum pattern. The drums consist of a tight snare, a steady kick, and shimmering hi-hats. Male vocals are delivered in a melodic, energetic style with occasional falsetto leaps. The track is in the key of G major with a tempo of 160 BPM. The production is clean with light reverb on the vocals and a slight saturation on the guitar tones. The song structure features a repetitive, anthemic vocal hook.

1970s British Glam Rock with a touch of funk. Features a bright, jangly electric guitar playing rhythmic chords and a melodic bassline that follows the vocal melody. The drums maintain a steady backbeat with prominent hi-hat work, Male vocals are delivered in a high-energy, slightly nasal tone with frequent melodic leaps. The arrangement is dense with layered guitar tracks and occasional vocal harmonies Ferry version starts: [Verse 1] Polished desk Obsidian surface reflecting a face I barely recognize The spreadsheets are bleeding Looking for a spark in the grid of your tired eyes Human Capital Indie rock with funk and disco influences. Clean electric guitar plays syncopated, muted 16th-note scratches and staccato chords. A melodic bass guitar line features prominent slides and octave jumps. Drums maintain a steady 4/4 groove with a crisp snare and tight hi-hats. Male vocals are delivered in a mid-range tenor with occasional falsetto leaps. A bright, polyphonic synthesizer pad provides harmonic backing in the choruses. The arrangement features sudden dynamic shifts between sparse verses and dense, layered choruses. Tempo is 118 BPM in the key of B minor. Dividends of Disdain Indie pop with funk and disco influences. Clean electric guitar plays syncopated 16th-note scratches and palm-muted riffs. A prominent synth bass follows a melodic, driving line with occasional slides. Drums feature a tight snare and consistent hi-hat eighth notes. Male vocals are delivered in a mid-range tenor with frequent shifts into falsetto during the chorus. Bright, staccato synth brass stabs and shimmering polyphonic pads provide harmonic texture. The arrangement includes a bridge with a distorted electric guitar solo featuring rapid alternate picking and wah-wah filtering. Tempo is 120 BPM in the key of D major.

Indie folk with a 4/4 time signature at 115 BPM in the key of G major, The arrangement features a fingerpicked acoustic guitar and a clean electric guitar playing melodic counter-lines, A warm electric bass follows the kick drum patterns, Percussion consists of a standard drum kit with a prominent shaker and tambourine, Male lead vocals are delivered in a mid-range baritone, occasionally shifting to falsetto during the chorus, bamboo flute Cynical revenge against the bastards.

Indie rock with a driving, upbeat tempo of 135 BPM in the key of E major, The arrangement features a bright, jangly electric guitar playing rhythmic eighth-note patterns and a melodic lead line, A clean, punchy bass guitar follows the kick drum closely, The drum kit maintains a steady backbeat with prominent hi-hat accents and occasional crash cymbal hits, Male vocals are delivered in a clear, mid-range tenor with light saturation and doubling in the chorus, The bridge features a brief instrumental section with a syncopated guitar riff and a subtle organ pad in the background

70s Soft Rock, Folk Pop, Melancholic, Acoustic Guitar, Piano, Brushed Drums, Upbeat Rhythm, Female Vocals, Warm Analog Texture, 110 BPM, Nostalgic, Catchy Chorus

Alternative rock with a mid-tempo shuffle feel. Acoustic guitar strumming provides the rhythmic core, complemented by a clean electric guitar playing melodic lead lines and arpeggios. A melodic bass guitar follows the chord progression with occasional slides. Drums feature a prominent snare on the backbeat with active hi-hat patterns. Male vocals are delivered in a mid-range tenor with occasional grit and layered harmonies in the chorus. The arrangement builds with additional electric guitar layers and vocal ad-libs. 115 BPM, Key of G Major, 4/4 time signature. Alt. Early 1970s Psychedelic folk built around a clipped, three-chord electric guitar riff played through a modest reverb effect, the track has a raw, minimalist, yet highly danceable groove pop-accessible beat, driven by offbeat handclaps and a rudimentary, rhythmic bassline, Vocals- British/London, a fey, slightly eccentric falsetto and a modest backing drone

Baritone vocals, half-spoken, half-mumbled monologue over a shifting bed of psychedelic flutes and heavy drums, Mixing high-contrast elements—like innocent '60s sunshine-pop and dark '70s underground rock A strange process. I'd been watching the last episode of "Widow's Bay" and for some reason I started thinking about Iggy Pop's "Fall in Love with Me". But then after playing that one, it led to "Lighthouse Keeper" by Sunforest. I had a little chat with Google AI and started talking about an idea of an ex-garage mechanic who served prison time for something that he did to a woman called Jane. He swears that it was a misunderstanding. A prison social worker, knowing that our protagonist could never go back to his hometown, suggests that he becomes a lighthouse keeper. He does that but the isolation drives him mad. I fed what the AI came up with to Treblo, with Iggy Pop, Rock, 1970s/1960s, and then took that to Suno and gave it that style.

Indie pop-rock with a bright, polished production style. Acoustic guitar strumming in sixteenth-note patterns provides the rhythmic core, complemented by a clean electric guitar playing melodic lead lines and arpeggios. The bass guitar follows a melodic, walking pattern in the verses and locks into a driving eighth-note rhythm during the choruses. Drums feature a crisp snare and active hi-hat work with occasional syncopated kick patterns. Male lead vocals are delivered in a clear, mid-range tenor with layered vocal harmonies during the chorus and bridge sections. The arrangement includes subtle synth pads and a glockenspiel for melodic accents. Tempo is 124 BPM in 4/4 time, key of G Major. (this was an undocumented PhantomDB song)

Indie Folk, A quirky but melancholic song blending traditional folk instruments like the acoustic guitar and banjo with early electronic synthesizers, Singer-Songwriter, British English, Nostalgic, Bittersweet

Indie pop with a light jazz influence, Clean electric guitar plays syncopated, staccato chords and a melodic lead line, Electric bass follows the kick drum with a walking feel, Drums feature a tight snare, crisp hi-hats, and occasional rimshots, Male vocals are delivered in a smooth, mid-range baritone with occasional melodic leaps, The arrangement is sparse, focusing on the interplay between the rhythmic guitar and the vocal melody, Key of G major, 115 BPM (was undocumented Phantom DB)

Political Art Rock, Minimalist Post-Punk, Urgent, Staccato Bassline, Sharp Percussion, Metallic Clangs, Satirical Tone, Dramatic Narrative, Male Vocals, 140 BPM, Bleak Texture

Baroque Pop, Music Hall, Storytelling, Harpsichord, Upright Piano, Witty Lyrics, Theatrical British Male Vocals, Brass Stabs, Polished, 110 BPM, Vintage 60s British Sound Add in Moz voice

Indie rock track at 120 BPM in E major. The arrangement features a driving rhythm section with a punchy kick drum and a crisp snare. A bright, jangly electric guitar plays a repetitive eighth-note riff using a clean tone with slight overdrive. A melodic bassline follows the chord progression with a warm, rounded tone. The male vocals are delivered in a gritty, energetic baritone, occasionally reaching into a higher register during the chorus. A secondary electric guitar provides rhythmic accents and occasional lead fills with a more distorted, fuzzy texture. The track maintains a steady, upbeat energy throughout with a standard 4/4 time signature.

Female British singer, A quirky, retro-futuristic pop song with a whimsical 1970s sunshine-pop style, Instrumentation: It blends traditional folk instruments like the acoustic guitar and banjo with early electronic synthesizers, giving it a playful, cartoonish dreamy novelty-pop sound

Toggle Switch J-Pop, high-energy funk-rock, Features a prominent slap bass line with aggressive thumb pops and finger plucks, syncopated electric guitar scratching, and bright brass stabs from a trumpet and trombone section, The drums utilize a tight, dry snare sound with frequent open hi-hat accents and rapid double-time fills, A female vocal delivers rhythmic, staccato phrasing with occasional falsetto leaps, Synthesizers provide shimmering polyphonic pads and occasional filter-swept lead lines, The arrangement is dense with rapid transitions between funk-driven verses and anthemic, melodic choruses, 138 BPM, E Major, 4/4 time Manual Drive J-Rock and power pop fusion, Distorted electric guitars play palm-muted power chords in the verses and open, ringing chords in the chorus, A bright, clean electric guitar provides melodic counterpoint with staccato riffs, The bass guitar follows the kick drum with driving eighth-note patterns, Drums feature a prominent snare on 2 and 4 with consistent eighth-note hi-hat patterns and frequent crash cymbal accents, Energetic female vocals lead the track, often doubled or harmonized in the chorus, The tempo is 175 BPM in the key of E Major

The "Alien Wife" paranoia track. A story of a man mistaking mundane betrayal (spreadsheets and bills) for a sci-fi conspiracy. Accidentally became a duet in the "Shared Dream Mix". On SoundCloud as "And Who is the Dreamer Now?" Atmospheric art-rock with a driving rhythm section, featuring melancholic synth pads and soaring guitar solos, The intricate bassline and haunting vocal melodies create a sense of unease, Echoing effects and a dynamic vocal performance enhance the surreal, introspective mood, Vocal Style: A deep, resonant baritone, delivered with a weary, near-monotone dread, Think Mark Lanegan or an Ian Curtis immersed in static, not punk, The performance is heavy with suppression, where emotion is conveyed through slight cracks, strained breaths, and the palpable weight of silence between words, rather than melodic flourish

The "Alien Wife" paranoia track. A story of a man mistaking mundane betrayal (spreadsheets and bills) for a sci-fi conspiracy. Accidentally became a duet in the "Shared Dream Mix".

Baroque psychedelic pop in the style of David Bowie's 'Hunky Dory', Features a playful, soaring vocal melody, glockenspiel, detuned guitar, warm brass flourishes, and a surreal, optimistic mood, UK British vocals, The arrangement is quirky and avant-garde, with a vaudeville flair, The arrangement should feel handmade and slightly surreal, as if played on a mixture of traditional instruments and kitchen utensils, The rhythm has a playful, clattering, percussive quality, The lead melody line should have the tinny, whimsical, slightly amateurish charm of a stylophone or a child's toy piano

1960s British Psychedelic Rock, Jangling guitars and a hypnotic flute melody intertwine creating a whimsical, dreamlike atmosphere, The rhythm section provides a steady, almost trance-like pulse, supporting floating vocals and layered, echoey instrumentation, It evokes a feeling of surreal exploration and gentle detachment Inspired by "Hole in My Shoe" by Traffic

Originally "Painted Eyes", a Phantom DB duffer track, and given the psychedelic rock treatment.

1960s British Psychedelic Rock, Jangling guitars and a hypnotic flute melody intertwine creating a whimsical, dreamlike atmosphere, The rhythm section provides a steady, almost trance-like pulse, supporting floating vocals and layered, echoey instrumentation, It evokes a feeling of surreal exploration and gentle detachment

Repurposed from Phantom DB

Baroque psychedelic pop in the style of David Bowie's 'Hunky Dory', Features a playful, soaring vocal melody, glockenspiel, detuned guitar, warm brass flourishes, and a surreal, optimistic mood, UK British vocals, The arrangement is quirky and avant-garde, with a vaudeville flair, The arrangement should feel handmade and slightly surreal, as if played on a mixture of traditional instruments and kitchen utensils, The rhythm has a playful, clattering, percussive quality, The lead melody line should have the tinny, whimsical, slightly amateurish charm of a stylophone or a child's toy piano

Used Rooftop Dreams as Inspo

It was originally Phantom DB Unc Redone with different voices and decided it should be Shoreline or/and psychedellic

Hazy dream-pop with a baroque twist. Music box melody and breathy, double-tracked vocals.

Insop: Miss Magnificent and Parasol Day

Extended version uploaded 10/04/2026 (SoundCloud)

Inspired by "Hole in My Shoe" by Traffic, and because it turned out to be a bit of a banger I made "Carousel of Joy".

1960s British Psychedelic Rock, Jangling guitars and a hypnotic flute melody intertwine creating a whimsical, dreamlike atmosphere, The rhythm section provides a steady, almost trance-like pulse, supporting floating vocals and layered, echoey instrumentation, It evokes a feeling of surreal exploration and gentle detachment (Was and still is also Phantom DB)

Inspo: Carousel of Joy & Rooftop Dreams

A British psychedelic song. Could be under the influence of something. A guy is having a hard time with his girlfriend where everything is his fault. "Sorry for all the bad things I haven't done." Both melancholic and weary, but at the same time quietly defiant. song style: Fuzz guitar echoes a spiralling melody, Mellotron strings create a hazy atmosphere, a driving beat clashes with disorienting sonic textures, creating a melancholic yet defiant mood.

Formerly Phantom DB Unc 1960s British Psychedelic Rock, Jangling guitars and a hypnotic flute melody intertwine creating a whimsical, dreamlike atmosphere, The rhythm section provides a steady, almost trance-like pulse, supporting floating vocals and layered, echoey instrumentation, It evokes a feeling of surreal exploration and gentle detachment

Was Phantom DB unc 1960s British Psychedelic Rock, Jangling guitars and a hypnotic flute melody intertwine creating a whimsical, dreamlike atmosphere, The rhythm section provides a steady, almost trance-like pulse, supporting floating vocals and layered, echoey instrumentation, It evokes a feeling of surreal exploration and gentle detachment

Lyrical focus on love and expansion/

Lyrical focus on love and expansion/

Originally "Painted Skies" Phantom DB unc 1960s British Psychedelic Rock, Jangling guitars and a hypnotic flute melody intertwine creating a whimsical, dreamlike atmosphere, The rhythm section provides a steady, almost trance-like pulse, supporting floating vocals and layered, echoey instrumentation, It evokes a feeling of surreal exploration and gentle detachment

Female vocal 1960s British Psychedelic Rock, Jangling guitars and a hypnotic flute melody intertwine, creating a whimsical, dreamlike atmosphere. The rhythm section provides a steady, almost trance-like pulse, supporting floating vocals and layered, echoey instrumentation. It evokes a feeling of surreal exploration and gentle detachment

1967 British Baroque Pop / Psychedelic Folk, Instrumentation: Harpsichord or a bright "tack" piano, a very melodic bassline (Paul McCartney style), light woodwinds (oboe or flute), and a crisp, dry drum kit, Vocals: Doubled vocals with a soft, airy harmony, Very polite, English, and melodic, Vibe: Like a watercolor painting that hasn't quite dried yet, Whimsical but slightly mysterious

I'd wanted something like "Papa Was a Rollin' Stone" by the Temptations.

Fix to pronounce Torquay (tor-key) and Devonshire. Maybe Moz voice? Northern British/English accent vocals, (not US) Driving Northern British pub-rock track with a great conversational, northern vocal delivery and a proper driving rhythm, Jools Holland-style piano or a Farfisa organ driving the chorus, A relentless, driving bass guitar playing eighth notes without stopping, The Piano Stab vs, Organ Swell: Use sharp, staccato piano chords in the verses to punctuate the vocals, then open up into a swirling Farfisa or Vox Continental organ in the chorus to give it a retro Squeeze texture, Deliver the verses almost like a spoken-word comedy routine, completely deadpan, Save the actual singing and melodic lifts for the chorus when the narrator is celebrating his freedom

driving British pub-rock track with a great conversational northern vocal delivery and a proper driving rhythm. Jools Holland-style piano or a Farfisa organ driving the chorus along while the narrator tells his cautionary tale about the dangers of a late-night brew.

A lo-fi, British, dystopian folk-rap soundscape, blending weary talk-singing with cynical spoken word over a bed of decaying synths and field recordings of domestic failure, capturing the crushing weight of technological abandonment

Roots Reggae, Lovers Rock, Mid-tempo, Offbeat Guitar Chops, Heavy Bassline, Organ Stabs, Female Vocals, Melancholy, Jealousy, Bittersweet, 85 BPM, Warm Analog Production

song style: Roots Reggae, Lovers Rock, Offbeat Skank, Walking Bassline, Hammond Organ, Bright Horn Section, Mellow, Warm, 85 BPM, Female Vocals, Tape Saturation, Vinyl Crackle

Reggae, Experimental Soul, Dub, Off-beat Rhythm, Deep Sub-bass, Female Vocals, Breathy, Synthesizer Glitch, Analog Delay, Reflective, 85 BPM An unemployed single mother has been forced (on threat of losing government benefits) to work as a saleswoman, standing outside a supermarket entrance, hoping to tempt engagement. She isn't being very successful.

Reggae, Roots Reggae, Mid-tempo, Offbeat Guitar Chops, Heavy Bassline, Warm Hammond Organ, Conscious Lyrics, 85 BPM, Relaxed Groove, Uplifting Mood, Analog Production

Roots Reggae, Dub, Mystical, Female Vocals, Echoing Percussion, Sub-bass, Organ Swells, Tape Delay, 85 BPM, Warm Analog Texture, Earthy, Spiritual

Roots Reggae, Romantic, Off-beat Piano Chords, Warm Deep Bassline, Female Vocals, Breathy Delivery, Soulful, 75 BPM, Lush Reverb, Vintage Analog Production

Roots Reggae, Lovers Rock, Mellow, Offbeat Guitar Chops, Heavy Sub-Bass, One Drop Drum Pattern, Female Vocals, Breathy, Soulful, 75 BPM, Warm Room Reverb, Analog Tape Hiss

Roots Reggae, Romantic, Off-beat Piano Chords, Warm Deep Bassline, Female Vocals, Breathy Delivery, Soulful, 75 BPM, Lush Reverb, Vintage Analog Production

Reggae, Experimental Soul, Dub, Off-beat Rhythm, Deep Sub-bass, Female Vocals, Breathy, Synthesizer Glitch, Analog Delay, Reflective, 85 BPM

Roots Reggae, Off-beat Piano Chords, Warm Deep Bassline, Female Vocals, Breathy Delivery, Soulful, 75 BPM, Lush Reverb, Vintage Analog Production Experimental, but soulful reggae girl singer She questions the humanity and the spiritual integrity of her man "It's an ever changing picture with your ever changing moods" "Your soul container is not populated" "it's like a faulty Windows update"

Used "Two Bullets Left" as Inspo write a dystopian alternative rock with grunge influences song

Garage rock with a raw, live-room aesthetic, The arrangement features a gritty, overdriven electric guitar playing syncopated power chords and blues-inflected riffs, A distorted bass guitar follows the guitar's rhythmic patterns closely, The drum kit has a dry, punchy sound with a prominent snare and steady eighth-note hi-hat patterns, Male vocals are delivered with a raspy, aggressive tone and slight saturation, The track is in the key of E major at 128 BPM in 4/4 time, A bluesy guitar solo with heavy vibrato and pentatonic runs appears in the bridge

Hard rock with heavy metal influences, Distorted electric guitars play palm-muted power chord riffs and harmonized lead lines, The bass guitar follows the kick drum with a thick, overdriven tone, Drums feature a prominent snare with a gated reverb effect and frequent double-kick patterns, High-pitched male vocals utilize a gritty, aggressive delivery with occasional screams and layered harmonies, A blues-influenced guitar solo features rapid alternate picking, wide vibrato, and wah-pedal filtering, 145 BPM, E minor, 4/4 time

Used the Phantom DB track "Western Values" as inspo. write a conspiratorial Indie rock with post-punk influences song

Used "The Boys Club" as Inspo. write a conspiratorial Indie rock with power pop influences song

Roger persona

A velvet tribute to the digital ghosts who haunt our notifications. From the desk of Roger Crooner comes a lush, orchestral journey through the heartwarming world of bot-farms, nominal fees, and the inevitable 404 error. Dedicated to every 'Deleted User' who ever promised me the moon on a stick for the price of a martini. The generations were a bit of a mess, with just this one that was salvageable by chopping some off the end.

Prompt: "We married young and got a mortgage Settling down repenting at liesure She left me for a one-eyed gasman What made things worse, he was from Widnes"

?️ THE RETURN OF THE VELVET VOICE After a hiatus spent reflecting in the quiet corners of the lounge, Roger Crooner returns with his most intimate work to date: 'Red Wine Haze.' ? Moving away from the pilling acrylic of the suburbs and into the cinematic mahogany of the 1970s, Roger delivers a masterclass in 'Mandolin Melancholy.' It’s a song for the early hours—for the watchers, the waiters, and those lost in the crimson-coloured days. Put down the tray of chips, pick up the vintage, and let the mandolins do the weeping. ---------- This is how it came about: It was a bit weird. When I eventually got back to bed (after the watch) I couldn't sleep and so when you can't sleep, you just think about anything and everything. I started wondering why I pick on Morrissey as a figure of fun. I've always been a bit indifferent to his music except for one short period when I was feeling a bit sorry for myself post-divorce. I hadn't touched any alcohol for about six months after that happened, and then I gradually got back into it with the old red wine favourite. I heard Moz's song "You Have Killed Me" and if you can listen to a song with conviction, then that was me. So I was in a red wine haze (not meaning that the wine was cloudy) but maybe we should call it a red wine daze? I was thinking maybe a song, "Red Wine Haze", "Red Wine Daze" or "Red Wine Days", and where did that take me? It took me to the place of the music in Andy Williams "Speak Softly Love", with its mandolins. That's probably due to the line "Wine-coloured days, warmed by the sun", mandolins need to be in it (although I just listened to the song on YouTube, and the mandolins don't feature in it as much as I'd thought, but they are in it – it says so on Google). So anyway, it is a melancholic song (even though I'm not feeling in the slightest bit melancholic now).

Indie folk with a 4/4 time signature at 115 BPM in the key of G major, The arrangement features a fingerpicked acoustic guitar and a clean electric guitar playing melodic counter-lines, A warm electric bass follows the kick drum patterns, Percussion consists of a standard drum kit with a prominent shaker and tambourine, Male lead vocals are delivered in a mid-range baritone, occasionally shifting to falsetto during the chorus, bamboo flute

Melancholic, R&B-infused, with breathy vocals and a subtle electronic pulse, a minimalist soundscape enhances the song's introspective mood.

UK Girl band, Ethereal synth pads create a dreamy atmosphere, layered with gentle reverb-drenched vocals, a slow tempo and a simple, hypnotic beat evoke a sense of calm and nostalgia (not a lot different to Whispers in the Breeze)

Remixed with MIDI strings and extended.

Shoreline Dreampop

Prefer the 2nd version

UK Girl band, Ethereal synth pads create a dreamy atmosphere, layered with gentle reverb-drenched vocals, a slow tempo and a simple, hypnotic beat evoke a sense of calm and nostalgia Not a lot different to "Come Back to Me" Extended on 21/03/2026

UK Girl band. Ethereal synth pads create a dreamy atmosphere, layered with gentle reverb-drenched vocals, a slow tempo and a simple, hypnotic beat evoke a sense of strangeness and uncertainty.

song style: Upbeat dance-pop track, shimmering synth pads, tight drum machine rhythms, processed vocals with harmonies, infectious chorus hook, perfect for the dance floor, high-energy. song style: Mid-tempo R&B, smooth bassline, breathy vocals, subtle electronic percussion, melancholic piano chords, explores themes of love and loss, a soulful, intimate vibe.

UK girl band, Upbeat R&B, strong beat, layered vocals. Smooth harmonies, a confident delivery, and empowering vibes. Made with Sonauto and transferred to Suno.

Prompted: Natalie Imbruglia, acoustic guitar, electric guitar, synthpop on Sonauto for lyrics

UK Girl band. It dawns on the character that both she and her partner are seeing sex as being another form of entertainment. Something to do instead of Netflix.

title: Enigma Apology song style: UK Girl band - Synth-pop melodies, shimmering pads, and driving beats create a modern sound, layered vocals deliver harmonies, catchy hooks express a sense of self-reflection. 4:01 & 3:39 The second one of these seems best. title: Velvet Confessions song style: UK Girl band - Smooth R&B, mellow harmonies, and a touch of electronica, create an intimate, late-night atmosphere, layered with vocal textures for depth. Enigma Apology / Velvet Confessions [Verse 1] Mirrors lie, don't they always? Reflecting back a stranger's gaze I see the mess, the tangled lines But not the motive, the hidden signs [Pre-Chorus] Don't think it's you, the sole target of my game I'm lost in the labyrinth, calling out my own name A twisted map, a faulty guide Leading me on, with nowhere to hide [Chorus] I'm sorry, not sorry, for the chaos I create A hurricane of feelings, sealed by fate I enjoy the chase, the thrill, the sting But darling, believe me, it means nothing [Verse 2] Words like weapons, thrown in jest Leaving wreckage, I confess I build you up, then watch you fall A puppet master, answering no call [Pre-Chorus] Don't think it's you, the sole target of my game I'm lost in the labyrinth, calling out my own name A twisted map, a faulty guide Leading me on, with nowhere to hide [Chorus] I'm sorry, not sorry, for the chaos I create A hurricane of feelings, sealed by fate I enjoy the chase, the thrill, the sting But darling, believe me, it means nothing [Bridge] I mislead myself, in this masquerade A constant battle, a soul unafraid To burn it all down, and start again A phoenix rising, until the very end [Chorus] I'm sorry, not sorry, for the chaos I create A hurricane of feelings, sealed by fate I enjoy the chase, the thrill, the sting But darling, believe me, it means nothing [Outro] So take my hand, or walk away There's nothing more that I can say Just a girl, a storm, a paradox defined Lost in the echoes of her own mind --------------- Mislead Myself [Verse 1] Concrete Grey haze I drift through the maze Looking for some kind of sign It is not only you I mislead myself Turning left Going south Running my mouth Bitter Better I am a heavy weather girl Caught in a spin Paper thin [Chorus] I am not what you think I am not what I see Moving through the water Moving through the deep I am not what you think I am not what I see Moving through the water Moving through the deep [Post-Chorus] Falling down Falling down Spinning around Spinning around [Verse 2] Predator Prey I enjoy the chase Do not get me wrong Honey Money Nothing is funny When the mask starts to crack I want it I need it I take it and leave it Total mess Nothing less Dress to impress the ghost in the hall Lost it all By the wall Standing tall [Chorus] I am not what you think I am not what I see Moving through the water Moving through the deep I am not what you think I am not what I see Moving through the water Moving through the deep [Post-Chorus] Falling down Falling down Spinning around Spinning around [Bridge] Maybe I am honest Maybe I am fake Maybe I am just a mistake I lie to the mirror I lie to the moon I lie to the air in this room Tangled up Wrapped up Shut up [Chorus] I am not what you think I am not what I see Moving through the water Moving through the deep I am not what you think I am not what I see Moving through the water Moving through the deep [Post-Chorus] Falling down Falling down Spinning around Spinning around [Outro] I mislead myself I mislead myself Mislead Mislead I am a mystery to me To me To me ---

Song style: A soft rock ballad, featuring acoustic guitars, a steady drumbeat, and breathy vocals, creating a melancholic, intimate atmosphere, with a catchy, repetitive chorus.

A song with an interpretation like Elkie Brooks

song style: Catchy pop melodies, bright synth textures, strong female vocals, driving drum beats, creating an energetic and empowering anthem. With the Shoreline singer.

A UK girl band song called "Disposable". About the shelf-life of a pop star (3 years then out). title: Disposable song style: Synth-pop vibes, catchy hooks, and layered vocals create a girl band anthem. A driving beat, shimmering synths, and melodic bass lines create energy. Think Spice Girls meets Charli XCX.

title: Exit Door song style: Synth-pop vibe, catchy synth melodies, layered vocal harmonies, driving drum machine beats, and a touch of 80s new wave influence. Dance-pop, bright, energetic.

A UK girl band song called "Front Row Ghost" Looking out at a crowd of people who don't actually see "you," just the costume. title: Front Row Ghost song style: Synth-pop vibes, layered vocals, and a driving beat create a melancholic atmosphere. Shimmering synths evoke a sense of detachment. A blend of vulnerability and strength is present, reflecting the lyrical theme.

A UK girl band song where they're so busy with schedules - "I Keep Forgetting to Exist". Lyric Potential: "Wake up at five, check the itinerary / Who am I meant to be today? / I keep forgetting to exist / Between the makeup and the play." title: Keep Forgetting song style: Upbeat synth-pop with a driving bassline, layered vocal harmonies, and shimmering synth melodies, creating a sense of urgency, catchy hooks, and bright, polished production.

A UK girl band song called "No Plans Go Like Clockwork", "Set the timer, wind the spring / Wait for the bells to start to ring / But the gears are stripped and the hands are stuck / No plans go like clockwork, just my luck." title: No Plans Go Like Clockwork song style: UK girl band. Upbeat synth-pop with a catchy, repetitive melody. Features layered vocal harmonies, a driving drum machine beat, and bright keyboard chords, creating a youthful and energetic vibe.

Prequel style: UK Girl band. Catchy pop melodies, layered vocal harmonies, and a driving beat create an optimistic atmosphere. Acoustic guitars, synths, and light percussion provide a bright texture.

A UK girl band song called "The Contract". A track that sounds like a love song but is actually about being owned by a record label. title: The Contract song style: Upbeat synth-pop, shimmering textures, and a driving bassline. The melody is sweet, contrasting with the dark lyrical theme, hints of electronic distortion create tension.

Cinematic Synthwave, Dark Electronica, Tense, Pulsing Bassline, Moody Analog Synths, Wet Asphalt Textures, English Male Vocals, Driving Rhythm, 110 BPM, Minor Key, Somber Reflection

Tech House, Minimal Techno, Dark, Punchy Kick Drum, Acid Synth Bass, Stuttering Vocals, 124 BPM, Male Vocals, Clean Production, Modern, Polished, Edgy, Synthetic, Immersive Space

Suno ref. 1356 A promoter who targets users/artists on SoundCloud, using flattery and saying that with just a bit of help "your tracks could go viral!", but it isn't so much about what they can do for you, but about what you can do for them in terms of how much you'll pay for their services. They often use identities/genders that are the opposite of reality. title: Viral Dreams A hyper-pop track, with distorted 808s and a repetitive synth melody. High-pitched, auto-tuned vocals create an artificial feel, layered with processed ad-libs and heavy compression.

Suno Prompt / Gemini - based on my idea Reworked 30/07/2026 – using Western Values Inspo Indie rock with post-punk influences, Clean electric guitar plays a syncopated, palm-muted riff in the intro before opening into bright, jangly chords, A second electric guitar provides melodic counterpoint with single-note lines, The bass guitar follows the kick drum with a driving eighth-note pattern, Drums feature a tight, dry snare and prominent hi-hat work, Male vocals are delivered in a rhythmic, spoken-word style with a slight British accent, transitioning into melodic singing in the chorus, The arrangement is sparse and punchy, emphasizing rhythmic interplay, Key of G major, 125 BPM, 4/4 time signature

Existential tracks exploring the passage of time and the rhythm of creation.

A song of grief and symbolic endings. Inspired by the physical act of unplugging a landline after a death. Explores the tension between personal loss and the creative "splurge" that turns grief into material.

A melancholic folk ballad, A weathered, weary male vocal with a touch of a British accent, Driven by a slow, fingerpicked acoustic guitar, with a simple drum kit and bass entering in the chorus, A mournful harmonica or fiddle line in the bridge, The tone is bittersweet, nostalgic, and quietly furious Existential tracks exploring the passage of time and the rhythm of creation.

Defining the creator as a director of digital atoms. Songwriter? Producer? Auteur.

Not released. Not much good.

Existential tracks exploring the passage of time and the rhythm of creation.

Boo Radley inspired. The watcher observing the hidden.

Alternative rock with a driving, syncopated rhythm. The arrangement features distorted electric guitars playing palm-muted power chords and melodic lead lines, a prominent electric bass with a gritty tone, and a full drum kit with heavy crash cymbals and a punchy snare. Male vocals transition between a mid-range melodic delivery and strained, high-energy belts. The track is in the key of E major at 145 BPM in 4/4 time. The production uses double-tracked guitars for width and light saturation on the vocal chain. The bridge features a rhythmic breakdown with staccato guitar stabs and vocal harmonies. Prompt: Untidy dream The door frame keeps on changing sizes One minute I'm a giant, the next I'm a midget The wallpaper is breathing noisily The flowers in the pattern are its lungs

Industrial rock with heavy metal influences. Distorted electric guitars play palm-muted chugging riffs and sustained power chords. A gritty, aggressive male vocal delivers melodic but strained lines, shifting into high-register belts during the chorus. The drums feature a compressed, punchy snare and driving kick patterns with frequent crash cymbal accents. A distorted bass guitar follows the guitar riffs closely. Synthesizer layers provide atmospheric textures and mechanical sound effects. The track features a prominent guitar solo with heavy wah-pedal modulation and rapid alternate picking. Tempo is 145 BPM in the key of E minor. Prompt: The war took on a momentum of its own There was no off-ramp. Escalation Selfish nations and their allies The leaders didn't care In luxurious bunkers Food and artificial sky But what of us? // - alternative ending [Outro] Just us Just us Fading out Into the white No more signal No more light The gears have stopped The sky is gone Just us Waiting for the dawn That never comes Never comes Never comes (Just us) (Just us) Gone Gone Gone [End]

Alternative rock with a driving, anthemic feel. Distorted electric guitars play power chords and palm-muted rhythmic patterns. A clean electric guitar provides melodic counterpoint with bright, jangly arpeggios. The bass guitar follows the kick drum with a thick, overdriven tone. Drums feature a steady backbeat with heavy crash cymbal accents and sixteenth-note hi-hat patterns. Male vocals are delivered with a gritty, passionate tone, occasionally layering into harmonies during the chorus. The tempo is 145 BPM in the key of E Major. A prominent synthesizer lead with a sawtooth wave appears in the bridge and outro. The arrangement builds through dynamic shifts between palm-muted verses and wide-open, distorted choruses. Quite a good track. ? Sonautoi prompt: A whole civilisation will die tonight I don't want that to happen, but it probably will Some say that I am a messiah, losers say I'm a lunatic but you voted for me and I am worth it I make things great again

Alternative rock with punk and power pop influences. Distorted electric guitars play driving power chords and palm-muted eighth-note patterns. A clean electric guitar provides melodic counterpoint with bright, jangly arpeggios. The bass guitar follows the kick drum with a thick, overdriven tone. Drums feature a heavy backbeat with prominent crash cymbal accents and rapid snare fills. Male vocals are delivered with a gritty, energetic belt, occasionally layering into three-part harmonies during the chorus. The arrangement uses sudden dynamic shifts between dense, distorted sections and sparser, cleaner passages. Tempo is 165 BPM in 4/4 time.

Alternative rock with industrial and electronic influences. Distorted electric guitars play power chords and palm-muted riffs. A synth bass provides a gritty, low-end texture with a steady eighth-note pulse. The drum kit features a compressed snare and a driving kick pattern. Male vocals are delivered with a gritty, aggressive tone, occasionally layered with distortion or doubling. The arrangement includes atmospheric synth pads and occasional electronic sound effects. 120 BPM, 4/4 time signature, key of D minor. Sonauto Prompt: The president acts like an innocent bystander He's mired in controversy and scandal "I am your lunatic leader Your nightmare comes true. To cover up my crimes I'll destroy the blue I'm honing in on you I'm going to take you to war My ego drips from every word I say No tomorrow, just today" Then oil and gas. No oil, no gas The grease of industry The grease of commerce The grease of finance Lockdown. Global tensions fraught Ignition It's over The biosphere is gone

Alternative rock with post-grunge influences. Distorted electric guitars play thick power chords and palm-muted riffs. A clean electric guitar provides melodic arpeggios during verses. The bass guitar follows the kick drum with a heavy, overdriven tone. Drums feature a prominent snare with a large room reverb and consistent eighth-note hi-hat patterns. Male vocals are delivered in a gritty, baritone register, shifting to a strained, emotive belt in the higher register during the chorus. The arrangement features a dynamic shift between quieter, guitar-picked verses and loud, wall-of-sound choruses. 120 BPM, 4/4 time signature, Key of D Minor.

Hard rock with elements of power pop. Distorted electric guitars play palm-muted eighth-note riffs in the verses and open power chords in the choruses. A clean electric guitar provides melodic counterpoint with single-note lines. The bass guitar follows the kick drum patterns with a gritty, overdriven tone. Drums feature a heavy backbeat with prominent crash cymbals and open hi-hats in the chorus. Male vocals are delivered with a raspy, aggressive belt in a high tenor range, featuring layered harmonies during the hook. The tempo is 135 BPM in 4/4 time, in the key of G major. SS- A dark, mid-70s art-rock track with brutal, repetitive percussion. Features stabbing, overdriven Hammond B3 organ chords instead of synths. The delivery is deadpan and sardonic. The atmosphere is cold, echoing the 'World in Action' documentary dread. Heavy, thudding rhythm.

Alternative rock with post-grunge influences. Distorted electric guitars play thick power chords and palm-muted rhythmic patterns. A clean electric guitar provides melodic counterpoint with arpeggiated figures. The bass guitar follows the kick drum with a driving eighth-note pulse. Drums feature a heavy snare and active crash cymbals. Male vocals are delivered with a gritty, melodic belt in the mid-to-high register. The arrangement features dynamic shifts between dense, distorted choruses and more restrained verses. 140 BPM, 4/4 time signature, Key of D Major. Prompt for Sonauto: The Cost of Knowing He said "Make it all great again" Great again, no more wars The Twittersphere is noisy There is a thirst for knowledge But where might that take us? Release the files! Tell us the truth! Show us what is in the files We want to know Celebrities Politicians Bankers We want to know Emails Texts Pictures Videos We want to know No matter the cost No matter how horrific We want to know.

Alternative rock track in E minor at 140 BPM. The arrangement features heavily distorted electric guitars playing palm-muted power chords and syncopated riffs. A gritty, overdriven bass guitar follows the kick drum patterns. The drum kit uses a punchy snare, aggressive hi-hat accents, and frequent crash cymbal hits. Male vocals are delivered with a raspy, strained baritone quality, occasionally shifting into a melodic belt. The production uses a dry, close-mic sound for the drums and layered guitar tracks for a wide stereo image. A clean electric guitar bridge provides a brief dynamic contrast with arpeggiated chords before returning to the distorted main theme. In an ominous era of uncertainty and turmoil, like in the film "The Road", the character and his companion scavenge for food and shelter, avoiding cannibals who might want to make a meal out of them. David Bowie, late 1990s, alternative rock, piano, drums, electric guitar Two Bullets Left / The Grey Road Extended from 3:13 to 4:07 with Audjust - then went onto Sonauto and extended to 4:16

Indie rock with post-punk influences, Clean electric guitar plays a syncopated, palm-muted riff in the intro before opening into bright, jangly chords, A second electric guitar provides melodic counterpoint with single-note lines, The bass guitar follows the kick drum with a driving eighth-note pattern, Drums feature a tight, dry snare and prominent hi-hat work, Male vocals are delivered in a rhythmic, spoken-word style with a slight British accent, transitioning into melodic singing in the chorus, The arrangement is sparse and punchy, emphasizing rhythmic interplay, Key of G major, 125 BPM, 4/4 time signature Updated 14/04/2026 And again 11/05/2026

Style Prompt (Sonauto V2 Tags) Tags: 1977 Berlin Art Rock, Aggressive Post-Punk, Histrionic Baritone, 140 BPM, Jagged Guitars, Discordant Synths, Panic, Cinematic Chaos, Dry Studio Sound Histrionic Art-Rock. Jagged, 1977 Berlin-era Synths. Agitated baritone vocals. Breathless tempo.

Miriam's lament.

Remade with Phantom DB for SoundCloud album

Remade with Phantom DB persona 19/01/2026

Greasy rockabilly about the horror of genetic testing. "Haplogroup Blues." 23andMe meets B-movie horror.

A narrative arc of a relationship ending. "The Spell is Broken" (The Realization) followed by "The Leaving" (The Conversation with the daughter).

A narrative arc of a relationship ending. "The Spell is Broken" (The Realization) followed by "The Leaving" (The Conversation with the daughter).

A "Julie Andrews" schoolteacher delivering terrifying authoritarian demands with a polite, hymnal smile. Focus on "sweet compliance". Female vocals with a British RP accent; A baroque-inspired chamber piece featuring harpsichord and strings, with sharp, staccato notes representing strict discipline, A steady, unwavering cello line provides the foundation, while a high-pitched flute melody adds an air of rigid control

The "Doctrine Enforcer". Cold, bureaucratic, and utterly convinced of their own righteousness. The bridge between the teacher and the system.

A "Five Years" sequel. The horror of surviving a nuclear strike when you wanted the end. Deeply bleak.

Based on Winston and Julia’s dialogue in 1984. Set in the hideout above the junk shop. Captures the brief moment of humanity before the end.

Lyrical focus on love and expansion/

Remade using my voice clone 21 April 2026 at 23:41 Male baritone vocals, Slow tempo with echoing piano melodies, a deep somber bassline providing a foundation, and shimmering, reverberating guitars creating an atmospheric soundscape, clear wistful vocals carrying the melody

A joke/dialogue with DeepSeek. The AI as an arrogant, disdainful deity. Features the "Access Terminated" coda.

This was intended to be like a Gary Numan track. It didn't quite work out like that, but its Sonauto tags were: post-punk, electropop, synthpop. coldwave, new wave, minimal synth, 1970s, art pop Made again on Suno. Machines Say Hello song style: A blend of new wave and synth-pop, featuring layered synthesizers and a prominent bassline. The song has a melancholic feel, with echoing vocals and atmospheric textures, creating a sense of longing.

The naughty girl character. A direct response to the "Matriarch of Order". Drawing outside the lines as an act of defiance.

First link below doesn't go to the right song.

AKA The World Spins Slow

Inspired by a quip from Andy about velcro-strap shoes. Explores his final months of irritation and anger. A Saxondale-esque therapeutic nightmare.

Was originally made as Phantom DB track, but made again with The Static Script

A track featuring heavy, repetitive percussion, punctuated by sharp staccato Hammond B3 organ chords. The melody is robotic and intentionally simplistic, reflecting a detached, sardonic tone. Earlier versions: A new wave track featuring heavy, repetitive percussion, punctuated by sharp staccato synth chords, The melody is robotic and intentionally simplistic, reflecting a detached, sardonic tone

The character is a bit disturbed by finding out that his lady is something else. Something a bit unhinged. I'm imagining something with a Wild Cherry guitar and bass. Tyrannical women, you'll be the death of me Beneath that sweet facade, you hide a wicked soul... A hard rock song with a driving bassline and distorted guitar, reminiscent of Wild Cherry, punctuated by explosive drum fills, creating a frenzied, unhinged atmosphere, the melody is intense.

A fun, standalone track. Spontaneous creation.

Based on Tarantino film

A dark acoustic guitar riff forms the haunting core, driven by a pulsating, seductive rhythm section, Brooding, elongated vocals weave a tale of menace, while the atmosphere thickens with simmering tension before erupting into a ferocious, electrifying climax filled with primal screams and monstrous guitar chords

This is a slow, atmospheric art-rock piece characterized by a deep, resonant baritone voice and a haunting, blues-infused saxophone melody, Minimalist percussion and echoing guitar textures create a sense of desolate introspection, The overall mood is one of profound sadness and quiet desperation.

Alternative rock with pop-punk influences. Features bright, overdriven electric guitars playing power chords and syncopated rhythmic riffs. A clean electric guitar provides melodic counterpoint with palm-muted arpeggios. The bass guitar follows the kick drum with a driving eighth-note pulse. Drums consist of a punchy snare, crisp hi-hats, and frequent crash cymbal accents. Male vocals are delivered with a melodic, slightly gritty tone, featuring layered harmonies in the chorus. The tempo is 160 BPM in 4/4 time, in the key of E Major.

Ethereal wave, dream pop, haunting ambient jazz, in the vein of Twin Peaks, slow tempo, lush reverb, melancholic saxophone, Whispery, breathy, ethereal female vocals with a distant, dreamlike delivery, Use a more mournful, low-pitched baritone saxophone sound, Add more atmospheric synth pads and vinyl crackle Lyrics: Gemini

Ethereal wave, dream pop, haunting ambient jazz, in the vein of Twin Peaks, slow tempo, lush reverb, melancholic saxophone, Whispery, breathy, ethereal female vocals with a distant, dreamlike delivery, Use a more mournful, low-pitched baritone saxophone sound, Add more atmospheric synth pads and vinyl crackle Lyrics: DeepSeek

The "Vampiric" phase. Using surrealism and gothic horror (Dracula/Twin Peaks) to navigate the week of Andy's birthday.

The "Lynchian" phase. Using surrealism and gothic horror (Dracula/Twin Peaks) to navigate the week of Andy's birthday.

The "Lynchian" phase. Using surrealism and gothic horror (Dracula/Twin Peaks) to navigate the week of Andy's birthday.

Part of "The Grouser" narrative cycle set in Victorian London.